{"id":1795,"date":"2020-05-15T16:58:57","date_gmt":"2020-05-15T07:58:57","guid":{"rendered":"https:\/\/neuromusic.sfc.keio.ac.jp\/?page_id=1795"},"modified":"2025-04-11T19:45:47","modified_gmt":"2025-04-11T10:45:47","slug":"tomohiro-samma","status":"publish","type":"page","link":"https:\/\/neuromusic.sfc.keio.ac.jp\/?page_id=1795&lang=en","title":{"rendered":"Tomohiro Samma"},"content":{"rendered":"\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"665\" src=\"https:\/\/neuromusic.sfc.keio.ac.jp\/wp-content\/uploads\/2020\/05\/samma-1.jpg\" alt=\"\" class=\"wp-image-1829\" style=\"width:500px;height:333px\" srcset=\"https:\/\/neuromusic.sfc.keio.ac.jp\/wp-content\/uploads\/2020\/05\/samma-1.jpg 1000w, https:\/\/neuromusic.sfc.keio.ac.jp\/wp-content\/uploads\/2020\/05\/samma-1-300x200.jpg 300w, https:\/\/neuromusic.sfc.keio.ac.jp\/wp-content\/uploads\/2020\/05\/samma-1-768x511.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Education<\/h3>\n\n\n\n<p>Keio University <br>Graduate School of Media and Governance D2<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Projects<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Sight-over-sound Effect in the Performance Judgement of Brass Ensemble Competition in Japan.<\/li>\n\n\n\n<li>Groove and body movements: The inverted U-shape relationship during tapping and walking movements.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Publications<\/h3>\n\n\n\n<p><strong>Samma, T.<\/strong>, Honda, K., &amp; Fujii, S. Replicability of the sight-over-sound effect in the judgement of brass band competition in Japan. 2023.&nbsp;<a href=\"https:\/\/doi.org\/10.31234\/osf.io\/u9vpg\">https:\/\/doi.org\/10.31234\/osf.io\/u9vpg<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Talks<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>\u4e09\u6469 \u670b\u5f18<\/strong>. (2023). \u5439\u594f\u697d\u30b3\u30f3\u30af\u30fc\u30eb\u306e\u5be9\u67fb\u306b\u304a\u3051\u308b\u8074\u899a\u60c5\u5831\u306b\u5bfe\u3059\u308b\u8996\u899a\u60c5\u5831\u306e\u512a\u4f4d\u6027\u306b\u3064\u3044\u3066. \u6176\u61c9SFC\u5b66\u4f1a \u5b66\u8853\u4ea4\u6d41\u5927\u4f1a 2023. \u30aa\u30f3\u30e9\u30a4\u30f3.<\/li>\n\n\n\n<li><strong>Samma, T.<\/strong>, Ueda, K., Yumoto, R., Tanaka, K., Anzai, R., Uno, Y., Otsuka, N., Hirose, S., Nakanishi, K., Kikukawa, Y., and Fujii, S. (2023). Groove and body movements:The inverted U-shape relationship during tapping and walking movements. Groove Workshop 2023. online.<\/li>\n\n\n\n<li><strong>Samma, T.<\/strong>, Savage, PE., and Fujii, S. (2022). Replicability of Sight-over-sound Effect in Performance Judgement of Japanese Brass Ensemble Competition. The 2022 Meeting of the Society for Music Perception and Cognition (SMPC 2022). Portland, USA.<\/li>\n\n\n\n<li>miwa, Honda, K., Saijo, N., <strong>Samma, T.<\/strong>, Sakakibara, Y., Komine, M., Kashino, M, and Fujii, S. Physiological synchronization among audiences in live musical concert. The 2022 Meeting of the Society for Music Perception and Cognition (SMPC 2022). Portland, USA.<\/li>\n\n\n\n<li><strong>\u4e09\u6469 \u670b\u5f18<\/strong>, \u30d1\u30c8\u30ea\u30c3\u30af\u30fb\u30b5\u30d9\u30b8, \u85e4\u4e95 \u9032\u4e5f. (2021). \u5439\u594f\u697d\u30b3\u30f3\u30af\u30fc\u30eb\u306e\u5be9\u67fb\u306b\u304a\u3051\u308b\u8074\u899a\u60c5\u5831\u306b\u5bfe\u3059\u308b\u8996\u899a\u60c5\u5831\u306e\u512a\u4f4d\u6027\u306b\u3064\u3044\u3066. Young Perceptionist\u2019 Seminar 2021 (YPS2021). \u611b\u77e5\u6dd1\u5fb3\u5927\u5b66. (online)<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Conference Posters<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Samma, T.<\/strong>, Kondoh, S., Etani, T., Fujii, S. (2024). Individual Differences in U-Shaped Groove Sensation Modeled by Metrical Predictability Linked to Musical Engagement Factor in Goldsmiths Musical Sophistication Index. The Neurosciences and Music &#8211; \u2167. Helsinki, Finland.<\/li>\n\n\n\n<li>Watanabe, A., <strong>Samma, T.<\/strong>, Kondoh, S., Fujii, S. (2024). Effects of recalling autobiographical music performance memories on performance self-evaluation and heart rate variability. The Neurosciences and Music &#8211; \u2167. Helsinki, Finland.<\/li>\n\n\n\n<li>Nakamura, T., Yumoto, R., Ueda, K., <strong>Samma, T.<\/strong>, Tanaka, K., Kondoh, S., Uno, Y., Kikukawa, Y., Fujii, S. (2024). Adaptive Dance Music Matching Its Tempo to the Integer Ratio of Heart Rate Reduces Runner\u2019s Perceived Exertion. The Neurosciences and Music &#8211; \u2167. Helsinki, Finland.<\/li>\n\n\n\n<li>miwa, Honda K., Saijo N., <strong>Samma T.<\/strong>, Sakakibara Y., Komine M., Kashino M., &amp; Fujii S. (2023). Psychophysiological synchronization between a performer and audiences in on-site and remote live music concerts. The Joint Conference of the 17th&nbsp;International Conference on Music Perception and Cognition and the 7th&nbsp;Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7). Nihon University, Japan.<\/li>\n\n\n\n<li>Watanabe A., <strong>Samma T.<\/strong>, &amp; Fujii S. (2023). Effects of recalling positive and negative music performance memories on subjective performance achievement and heart-rate variability: A pilot study. The Joint Conference of the 17th&nbsp;International Conference on Music Perception and Cognition and the 7th&nbsp;Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7). Nihon University, Japan.<\/li>\n\n\n\n<li>Nakamura T., Beijaert T., Yumoto R., Ueda K., <strong>Samma T.<\/strong>, Anzai R., Tanaka K., Uno Y., Kikukawa Y., &amp; Fujii S. (2023). Rating of Perceived Exertion in Runners Listening to Adaptive Music Feedback Providing Integer Ratio of Heart Rate.<em>The Joint Conference of the 17th&nbsp;International Conference on Music Perception and Cognition and the 7th&nbsp;Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7)<\/em>. Nihon University, Japan.<\/li>\n\n\n\n<li><strong>\u4e09\u6469 \u670b\u5f18<\/strong>, \u4e0a\u7530 \u5065\u592a, \u6e6f\u672c \u907c, \u7530\u4e2d \u5805\u5927, \u5b89\u658e \u52b1\u61c9, \u9d5c\u91ce \u88d5\u57fa, \u5927\u585a \u76f4\u8f1d, \u5ee3\u702c \u5353, \u4e2d\u897f \u606d\u4ecb, \u83ca\u5ddd \u88d5\u4e5f, \u85e4\u4e95 \u9032\u4e5f. (2022). \u6b69\u884c\u304a\u3088\u3073\u6307\u30bf\u30c3\u30d4\u30f3\u30b0\u904b\u52d5\u4e2d\u306e\u30b0\u30eb\u30fc\u30f4\u611f\u3068\u30ea\u30ba\u30e0\u8907\u96d1\u6027\u306e\u95a2\u9023\u6027. \u7b2c17\u56de\u30e2\u30fc\u30bf\u30fc\u30b3\u30f3\u30c8\u30ed\u30fc\u30eb\u7814\u7a76\u4f1a. \u65e9\u7a32\u7530\u5927\u5b66.<\/li>\n\n\n\n<li><strong>Samma, T.<\/strong>, Savage, PE., and Fujii, S. (2021). Generalizability Of Sight vs. Sound Effect: Evidence From Brass Ensemble Competition In Japan. 17TH ANNUAL NEUROMUSIC VCONFERENCE: Rhythm And Interpersonal Coordination. McMaster University, Canada. (online)<\/li>\n\n\n\n<li><strong>Samma, T.<\/strong>, Savage, PE., and Fujii, S. (2021). Replicability of Sight-over-sound Effect in the judgement of Brass Ensemble Competition in Japan. The Neurosciences and Music &#8211; VII. Aarhus, Denmark. (online)<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Awards<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Excellent Graduation Project, 2021. Faculty of Environment and Information Studies, Keio University.<\/li>\n\n\n\n<li>Scholarship, Replicability of Sight-over-sound Effect in the judgement of Brass Ensemble Competition in Japan. The Neurosciences and Music &#8211; \u2166<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Grants<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>\u5c71\u5cb8\u5b66\u751f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u652f\u63f4\u5236\u5ea6. 2020\u5e744\u6708 &#8211; 2020\u5e749\u6708 (\u00a575,000)<\/li>\n\n\n\n<li>\u6176\u61c9SFC\u5b66\u4f1a Covid-19\u5bfe\u5fdc\u7814\u7a76\u6d3b\u52d5\u652f\u63f4\u7279\u5225\u52df\u96c6 2020\u5e744\u6708-2021\u5e743\u6708 (\u00a5150,000)<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Media Coverage<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>\uff08\u3059\u3044\u30a8\u30f3\u30b9\uff01 \u5439\u594f\u697d\u3092\u79d1\u5b66\u3059\u308b\uff1a\uff13\uff09\u6f14\u594f\u3001\u8074\u304f\u3088\u308a\u76ee\u3067\u898b\u3066\u8a55\u4fa1\uff1f, \u671d\u65e5\u65b0\u805e\u793e, <a href=\"https:\/\/www.asahi.com\/articles\/DA3S15766125.html\">https:\/\/www.asahi.com\/articles\/DA3S15766125.html<\/a>, 2023\u5e7410\u670813\u65e5.<\/li>\n\n\n\n<li>\u5439\u30b3\u30f3\u306e\u8a55\u4fa1\u3092\u6c7a\u3059\u308b\u306e\u306f\u97f3\u3067\u306f\u306a\u3044\uff1f \u691c\u8a3c:\u4e16\u754c\u3092\u63fa\u308b\u304c\u3057\u305f\u7814\u7a76, \u671d\u65e5\u65b0\u805e\u793e, <a href=\"https:\/\/www.asahi.com\/articles\/ASR8N5RP7R73PLBJ004.html\">https:\/\/www.asahi.com\/articles\/ASR8N5RP7R73PLBJ004.html<\/a>,&nbsp;2023\u5e748\u670826\u65e5.<\/li>\n<\/ol>\n\n\n\n<h3 class=\"wp-block-heading\">Contact<\/h3>\n\n\n\n<p>tomo.windbrass[at]<a href=\"http:\/\/keio.jp\">keio.jp<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Links<\/h3>\n\n\n\n<p>Twitter: @Tomo_windbkk<\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Education Keio University Graduate School of Media and Governance D2 Projects Publications Samma, T., Honda, K., &amp; Fujii, S. Replicability of the sight-over-sound effect in&hellip;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1795","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/1795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1795"}],"version-history":[{"count":9,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/1795\/revisions"}],"predecessor-version":[{"id":3516,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/1795\/revisions\/3516"}],"wp:attachment":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}