{"id":2030,"date":"2020-05-21T10:04:36","date_gmt":"2020-05-21T01:04:36","guid":{"rendered":"https:\/\/neuromusic.sfc.keio.ac.jp\/?page_id=2030"},"modified":"2025-04-11T19:54:45","modified_gmt":"2025-04-11T10:54:45","slug":"yuna-sakakibara","status":"publish","type":"page","link":"https:\/\/neuromusic.sfc.keio.ac.jp\/?page_id=2030&lang=en","title":{"rendered":"Yuna Sakakibara"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Education<\/h3>\n\n\n\n<p>Keio University<br>Graduate School of Media and Governance D1<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Profile<\/h3>\n\n\n\n<p>Yuna Sakakibara is a student at Keio SFC. She is interested in the relationship between musical emotion, memory, and mental images, and wonders how nostalgia can be felt for a past not experienced through music.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Project<\/h3>\n\n\n\n<p>Cognitive mechanisms of music evoked non-autobiographical nostalgia<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Publications<\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Sakakibara, Y<\/strong>., Kusutomi, T., Kondoh, S., Etani, T., Shimada, S., Imamura, Y., Naruse, Y., Fujii, S., &amp; Ibaraki, T. (2024). A Nostalgia Brain-Music Interface for enhancing nostalgia, well-being, and memory vividness in young and elderly individuals. In <em>bioRxiv<\/em> (p. 2024.10.29.620793). <a href=\"https:\/\/doi.org\/10.1101\/2024.10.29.620793\">https:\/\/doi.org\/10.1101\/2024.10.29.620793<\/a><\/li>\n\n\n\n<li>Kondoh, S., Etani, T., <strong>Sakakibara, Y<\/strong>., Naruse, Y., Imamura, Y., Ibaraki, T., &amp; Fujii, S. (2024). A chill brain-music interface for enhancing music chills with personalized playlists. <em>bioRxiv.<\/em> <a href=\"https:\/\/doi.org\/10.1101\/2024.11.07.621657\">https:\/\/doi.org\/10.1101\/2024.11.07.621657<\/a><\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Talks<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Sakakibara, Y.<\/strong>, Ibaraki, T., Kusutomi, T., Etani, T., Shimada, S., Naruse, Y., Imamura, Y., Fujii, S. Examining the effects of a closed-loop nostalgia brain-music interface for well-being and memory retrieval in both young and elderly people, <em>The Neurosciences and Music<\/em> <em>VIII<\/em>, Helsinki, Finland, 2024\/6\/13-16.<\/li>\n\n\n\n<li><strong>\u698a\u539f\u4f51\u5948<\/strong>, \u5cf6\u7530\u65e9\u7e54, \u6960\u5bcc\u667a\u592a, \u60e0\u8c37\u9686\u82f1, \u4eca\u6751\u6cf0\u5f66, \u85e4\u4e95\u9032\u4e5f, \u8328\u6728\u62d3\u4e5f(2023). \u8133\u6ce2\u3068\u697d\u66f2\u7279\u5fb4\u306b\u3088\u308a\u61d0\u304b\u3057\u3055\u559a\u8d77\u3092\u6700\u5927\u5316\u3059\u308b \u500b\u4eba\u6700\u9069\u5316\u81ea\u52d5\u9078\u66f2\u30a2\u30eb\u30b4\u30ea\u30ba\u30e0\u304c \u81ea\u4f1d\u7684\u8a18\u61b6\u306e\u518d\u751f\u306b\u53ca\u307c\u3059\u52b9\u679c. \u8a8d\u77e5\u75c7\u4e88\u9632\u5b66\u4f1a. 2023\u5e749\u6708<\/li>\n\n\n\n<li>miwa, Honda K., Saijo N., Samma T., <strong>Sakakibara Y.<\/strong>, Komine M., Kashino M., &amp; Fujii S. Psychophysiological synchronization between a performer and audiences in on-site and remote live music concerts.<em>The Joint Conference of the 17th&nbsp;International Conference on Music Perception and Cognition and the 7th&nbsp;Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7)<\/em>. Nihon University, Japan, August 24-28, 2023.<\/li>\n\n\n\n<li>miwa, Honda, K., Saijo, N., Samma, T., <strong>Sakakibara, Y<\/strong>., Komine, M., Kashino, M, and Fujii, S. Physiological synchronization among audiences in live musical concert. The 2022 Meeting of the Society for Music Perception and Cognition (SMPC 2022). Portland, USA.<\/li>\n\n\n\n<li><strong>\u698a\u539f\u4f51\u5948<\/strong>, \u85e4\u4e95\u9032\u4e5f(2022). \u97f3\u697d\u306b\u3088\u308a\u60f3\u8d77\u3055\u308c\u308b\u975e\u81ea\u4f1d\u7684\u30ce\u30b9\u30bf\u30eb\u30b8\u30a2\u306e\u500b\u4eba\u5dee\u306b\u95a2\u3059\u308b\u63a2\u7d22\u7684\u7814\u7a76. Young Perceptionist\u2019 Seminar 2022 (YPS2022). online. 2022\u5e748\u6708(\u53e3\u982d\u767a\u8868\u3001\u67fb\u8aad\u7121)<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Conference Posters<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Sakakibara Y<\/strong>., Mori M., &amp; Fujii S. Music-evoked nostalgia without prior listening experience: The role of knowledge and autobiographical memories. <em>The 27th annual meeting of the Association for the Scientific Study of Consciousness (ASSC27)<\/em>. Tokyo, Japan, July 2-5, 2024.<\/li>\n\n\n\n<li><strong>\u698a\u539f\u4f51\u5948<\/strong>, \u68ee\u5c06\u8f1d, \u85e4\u4e95\u9032\u4e5f. (2024). \u65b0\u5947\u306a\u97f3\u697d\u306b\u5bfe\u3059\u308bd\u00e9j\u00e0 entendu\u304c\u30ce\u30b9\u30bf\u30eb\u30b8\u30a2\u306b\u53ca\u307c\u3059\u5f71\u97ff. \u65e5\u672c\u8a8d\u77e5\u5fc3\u7406\u5b66\u4f1a. 2024\u5e746\u6708<\/li>\n\n\n\n<li><strong>Sakakibara, Y.<\/strong>, Ibaraki, T., Kusutomi, T., Etani, T., Shimada, S., Naruse, Y., Imamura, Y., Fujii, S. Examining the effects of a closed-loop nostalgia brain-music interface for well-being and memory retrieval in both young and elderly people, <em>The Neurosciences and Music<\/em> <em>VIII<\/em>, Helsinki, Finland, 2024\/6\/13-16.<\/li>\n\n\n\n<li>Kondoh, S., Etani, T., <strong>Sakakibara, Y.<\/strong>, Naruse, Y., Imamura, Y. Ibaraki, T. Fujii, S. Enhancing music chills through closed-loop neurofeedback generating tailor-made playlist for individuals using an in-ear EEG device. <em>The Neurosciences and Music<\/em> <em>VIII<\/em>, Helsinki, Finland, 2024\/6\/13-16.<\/li>\n\n\n\n<li>Fujii, S., Etani, T., Kondoh, S., <strong>Sakakibara, Y.<\/strong>, Yoshida, K., Naruse, Y., Imamura, Y. Ibaraki, T. Enhanced groove sensation using a closed-loop brain-machine interface. <em>The Neurosciences and Music<\/em> <em>VIII<\/em>, Helsinki, Finland, 2024\/6\/13-16.<\/li>\n\n\n\n<li><strong>Sakakibara Y<\/strong>., Mori M., &amp; Fujii S. Music-evoked nostalgia with and without prior listening experience.<em>The Joint Conference of the 17th&nbsp;International Conference on Music Perception and Cognition and the 7th&nbsp;Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (ICMPC17-APSCOM7)<\/em>. Nihon University, Japan, August 24-28, 2023.<\/li>\n\n\n\n<li><strong>\u698a\u539f\u4f51\u5948<\/strong>, \u85e4\u4e95\u9032\u4e5f.(2022). \u97f3\u697d\u306b\u3088\u308a\u60f3\u8d77\u3055\u308c\u308b\u975e\u81ea\u4f1d\u7684\u30ce\u30b9\u30bf\u30eb\u30b8\u30a2\u306e\u500b\u4eba\u5dee\u306b\u95a2\u3059\u308b\u63a2\u7d22\u7684\u7814\u7a76. \u65e5\u672c\u97f3\u697d\u77e5\u899a\u8a8d\u77e5\u5b66\u4f1a. 2022\u5e746\u6708.<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Award<\/h4>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Best Poster Award, Examining the effects of a closed-loop nostalgia brain-music interface for well-being and memory retrieval in both young and elderly people, The Neurosciences and Music VIII<\/li>\n\n\n\n<li><strong>\u698a\u539f \u4f51\u5948<\/strong>\u30fb\u68ee \u5c06\u8f1d\u30fb\u85e4\u4e95 \u9032\u4e5f\u3001\u300c\u8074\u53d6\u7d4c\u9a13\u306e\u6709\u7121\u306b\u7740\u76ee\u3057\u305f\u97f3\u697d\u8a98\u767a\u578b\u30ce\u30b9\u30bf\u30eb\u30b8\u30a2\u306e\u500b\u4eba\u7279\u6027\u304a\u3088\u3073\u6587\u8108\u7279\u6027\u300d\u3001\u300e\u6176\u61c9SFC\u5b66\u4f1a\u5b66\u8853\u4ea4\u6d41\u5927\u4f1a\u7b2c21\u56de\u5927\u4f1a\u300f\u3001\u30aa\u30f3\u30e9\u30a4\u30f3\u30012023A21\u30012023\u5e743\u670813-28\u65e5\uff08\u67fb\u8aad\u6709\u30fb\u30aa\u30f3\u30c7\u30de\u30f3\u30c9\u767a\u8868\uff09\uff08\u9280\u8cde\uff09<\/li>\n<\/ol>\n\n\n\n<h4 class=\"wp-block-heading\">Grants<\/h4>\n\n\n\n<p>\u68ee\u6cf0\u5409\u90ce\u8a18\u5ff5\u7814\u7a76\u632f\u8208\u57fa\u91d1. 2024.4-2025.3 (260,000 \u5186)<br>\u5c71\u5cb8\u5b66\u751f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u652f\u63f4\u5236\u5ea6. 2022\u5e744\u6708-2024\u5e743\u6708 (140,000 \u5186\uff09.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contact<\/h3>\n\n\n\n<p>sakakibara.aa[at]<a href=\"http:\/\/keio.jp\">keio.jp<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Education Keio UniversityGraduate School of Media and Governance D1 Profile Yuna Sakakibara is a student at Keio SFC. She is interested in the relationship between&hellip;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2030","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/2030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2030"}],"version-history":[{"count":15,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/2030\/revisions"}],"predecessor-version":[{"id":3551,"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=\/wp\/v2\/pages\/2030\/revisions\/3551"}],"wp:attachment":[{"href":"https:\/\/neuromusic.sfc.keio.ac.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}